Partial List
Of Heiko Hoepfinger's (BassLab Basses GmbH)
Amateur Craftsmanship And Construction Errors
***Jay
Terrien is pursuing legal action to expedite
a full
refund of over $7,650.00 USD (plus damages) from Heiko
Hoepfinger and BassLab
Basses GmbH (Kassel, Germany), pertaining to the fraudulent
business practices, unsatisfactory amateur craftsmanship, and
poor service-level agreement (German civil code sec. § 437,
No. 2 BGB) regarding a custom bass that he purchased from BassLab
GmbH. Here's a partial photographic list documenting some of
Heiko Hoepfinger's (BassLab Basses GmbH) craftsmanship
and construction errors.
This lawsuit, which has already been referred to Melchers
Rechtsanwälte in Frankfurt, Germany, the United States Attorney General's
Office (IL), The Federal Trade Commission (Washington, DC), Wachovia Banking
Corporation, VISA International, and various Better Business Bureau satellite
offices, will also seek related punitive damages and all other miscellaneous/legal
costs (German civil code sec. § 437, No. 3, § 280 BGB) caused by Heiko
Hoepfinger's fraudulent business BassLab
GmbH, its "North American" Distributor, Greg
Holmes' GH Services based in Ontario,
Canada, and their unauthorized third-party credit card merchant "Kosmetik
Claasen" (A Flower Shop operated by Susanna Claasen) located in Muenster,
Germany.
Exhibit A. Functional Errors
and Construction Gaffes:
1.)
The fretless neck is not flat, and is particularly and erroneously "responsive" around
the 3rd-5th fret playing area. The hump from the truss-rod
causes fret buzzing and does not allow an adequate set-up
to be performed on the instrument. We x-rayed the bass to
confirm that the truss rod was not set in correctly.

2.) There is an inconsistent paint job all across the bass,
including an "orange peeling" effect on the neck
and small body dents that should have been sanded down before
the final finishing coat was applied. The component manufacturer’s
drying instructions which require adequate time to allow the
ill-advised usage of automotive paint and lacquer enough time
to harden, were ignored. Heiko
Hoepfinger of BassLab has admitted an error with this.

3.) The custom-made ABM Hardware bridge tuners are extremely
difficult to turn/tune because of mechanical tension
and stickiness. The bridge was not even remotely drilled
in straight or flush to the body (you can even slide a dime
and a credit card in the gap under the bridge!). The entire
bridge
system was incorrectly installed by BassLab.


4.) Proper visual inspection (Quality Assurance) of the bridges
piezo saddles did not occur before shipping. The bridge system
and pickup mountings are massively uneven and not level.
The saddles do not fit
right
and
since they did not receive proper set-up/sanding, there are
volume imbalances across the instrument when the piezo electronics
system is activated.

5.) The EMG pickups were not mounted and drilled in straight,
parallel to the body.
6.) The individual fret dots and markers were painted on
with "foil" instead
of being "inlayed" into the neck. The painted
on dots create a raised, uneven fingerboard playing surface,
which
affects overall intonation and tone on this fretless instrument.
7.) This bass did not meet my initial
agreed upon technical and construction specifications,
in terms of neck dimensions, overall weight, and installation/set-up
aesthetic.
8.) The EMG Electronics Pots and entire BQC system arrived
loose with a poor soldering job and their related rubber knobs
were
set
too tight.
This
required Rick Hunt,
Technical
Support
at EMG Pickups to send an entire new BQC system. Also,
the actual knobs were destroyed by being tightened too
much
during installation so I had to purchase $50 worth of
new knobs from Allparts.com.
9.) The bass arrived with several paint chips on the back of
the body near the battery compartment, as well as on the
upper horns
and headstock of the
instrument.

10.) The Neutrik output jack was shoddily soldered incorrectly,
whereas the lead wires were reversed which required resoldering
so that the battery would work properly without incessant
flashing. Heiko Hoepfinger of BassLab has admitted an
error with this.
11.) The 0 Fret Nut needed serious sanding so that the
sharp edges that existed could be filed down to create
the proper
string clearance and height that are necessary for accurate
playing.
12.) The EMG BQC Electronics Harness System was installed
BACKWARDS into the wrong pot positions on top of the
body cavity. Heiko
Hoepfinger of BassLab has admitted an error with this.

13.) The Pickup Selector Toggle does not emit a clean signal
switch between the use of the different electronics
sets. When
you flip the switch, instead, you hear a loud audible "pop" and "crackle" when
you switch it to a different system. This is caused
by an extremely messy, inaccurate, and amateur soldering
job.